Latest news on the coronavirus pandemic
Paramount has delayed the theatrical releases of "Mission: Impossible 7" and "Mission: Impossible 8," the next two chapters in Tom Cruise's action franchise.
Disney has moved “Doctor Strange in the Multiverse of Madness” to March 25, 2022, the latest release date delay due to the coronavirus pandemic. The studio had recently moved it to Nov. 5, 2021, but…
Hollywood companies are concerned about safeguarding the health of cast and crew -- and protecting themselves from liability.
Circle Cinema in Tulsa, Okla., plans to reopen in late May with reduced capacity, and lots of masks and gloves.
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Mindy Kaling's "Never Have I Ever" is anchored by a breakout performance from Maitreyi Ramakrishnan in her debut role.
Kenya Barris' "#blackAF" is the most outright mean-spirited series about family life in memory.
"Mrs. America," starring Cate Blanchett and Rose Byrne, is an ambitious FX on Hulu series that struggles to get a grip on its characters.
Heidi Klum and Tim Gunn don't recapture their "Project Runway" magic in Amazon's "Making the Cut."
Hugh Jackman delivers an acting master class, trading on his charismatic star persona to reveal the rotten core of this bad-apple educator.
"Avengers: Endgame" producers tapped their stunt coordinator to direct a stock action script, relying on his ingenuity to make it feel fresh.
In Spike Jonze's film, Adam Horovitz and Mike Diamond prove infectious raconteurs of their white-kid-turned-king-of-rock hip-hop saga.
Netflix releases an animated family film about an extremely dysfunctional family, one in which the kids conspired to orphan themselves.
The Weeknd's "After Hours" finds him mixing commerciality with innovation as well as anyone today.
Ashley McBryde's emotionally stirring second album represents the pinnacle of what contemporary mainstream country can be.
The angry and sometimes experimental "Gigaton" might be Pearl Jam's most fully realized album since "Ten."
Adam Lambert has made his new album "Velvet" a testament to finding his way, personally and professionally.
With a score by Stephen Schwartz ("Wicked"), this screen-to-stage transfer is so effortful it's enervating.
The moody music and lyrics from the Bob Dylan playbook both define and heighten Conor McPherson's haunting vision of the Depression.
Katori Hall gets belly laughs out of this comedy about an amateur cook trying to create a signature dish while chaos reigns in the kitchen.
Ivo Van Hove dares to fiddle with perfection in this modernized but still respectful re-working of the 1957 masterpiece.
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